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драма, комедија, љубовен, романса, мјузикл (1997)

On connaît la chanson

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On connaît la chanson

Година:

1997

Жанр:

драма, комедија, љубовен, романса, мјузикл

Траење:

120 мин

Режија:

Alain Resnais

Сценарио:

Jean-Pierre Bacri
, Agnès Jaoui


Главни улоги:


Jane Birkin
  >  Jane
Pierre Arditi
  >  Claude
Sabine Azéma
  >  Odile Lalande
Jean-Pierre Bacri
  >  Nicolas
Nelly Borgeaud
  >  Doctor #3
Götz Burger
  >  Von Choltitz
Jean-Pierre Darroussin
  >  Young Man with Cheque
André Dussollier
  >  Simon
Agnès Jaoui
  >  Camille Lalande
Charlotte Kady
  >  Restaurant Customer
Jacques Mauclair
  >  Doctor #1
Pierre Meyrand
  >  Cafe Owner
Claire Nadeau
  >  Female Guest
Jean-Paul Roussillon
  >  Father
Lambert Wilson
  >  Marc Duveyrier

Опис:


Glazbena romantična komedija o dvjema sestrama Parižankama koje se nađu usred neočekivanih romantičnih zavrzlama. Odile (Sabine Azéma) je sredovječna Parižanka čiji je brak s Claudeom (Pierre Arditi) ušao u kolotečinu koju će, misli Odile, promijeniti kupnja novog stana. No, Claude ne pokazuje nikakvo oduševljenje, pa ona utjehu pronalazi u druženju s Nicholasom (Jean-Pierre Bacri), starim poznanikom koji je nakon dugo vremena došao u Pariz kako bi svojoj obitelji kupio stan. Osim zajedničke namjere da kupe stan, Odile i Nicholasa spajaju i slični bračni problemi, kao i nikad zaboravljena ljubav iz mladosti. Ni Odilina mlađa sestra Camille, povjesničarka umjetnosti koja upravo dovršava doktorsku disertaciju, nije najsretnija u osobnom životu iako joj karijera napreduje. Stoga joj godi udvaranje simpatičnog Simona (André Dussollier) koji joj zataji da kao agent za nekretnine radi za promoćurnog Marca (Lambert Wilson), također veoma sklonog Camilli...


The latest from 77-year-old French director Alain Resnais (``Hiroshima Mon Amour) is a pleasant bit of fluff. ``Same Old Song, which opens today at the Lumiere, tells the story of a half-dozen Parisians who keep searching for happiness and bumping into one another.
The films central gimmick is borrowed, with due acknowledgment, from Dennis Potter, the English writer known for ``The Singing Detective and ``Pennies From Heaven. In the Potter films, characters inner thoughts were revealed in fantasy sequences in which they sang and lip-synched to old pop songs.
In ``Same Old Song characters also lip-synch to songs, but here the interludes last no more than seconds. Unlike in the Potter films, the songs dont reveal inner yearnings, and theyre not incorporated into fantasy productions. The lip- synched dialogue is treated like recitative in opera. No one notices that anybody is singing.
If the pop tunes in ``Same Old Song serve any purpose at all, its in setting a tone of lightness and whimsy. But this is a puny benefit for a device thats arbitrary and precious and results in slowing down scenes and conversations for no reason but cuteness. If this device has other virtues, their effect is lost in the translation. Aside from perhaps Edith Piaf and Maurice Chevalier, the singers, not to mention the songs, will be unrecognizable to most Americans. Even worse, Americans wont have a social context in which to place them.
``Same Old Song is 120 minutes long and should have been 100, at most, though the film gets by on charm throughout. Screenwriters Jean-Pierre Bacri and Agnes Jaoui wrote themselves the juiciest roles. Bacri plays Nicolas, a suave chauffeur who is also a raging hypochondriac. He goes to one doctor who tells him, ``Dont come back.
Jaoui plays Camille, a tour guide who is writing her thesis in history. The movies best running bit involves Camilles telling people her thesis topic: ``The yeoman of the year 1000 at Paladu Lake. No one quite appreciates how interesting yeomen are.
The picture traces Camilles bout with panic attacks and depression and puts her into a romance with a handsome sleaze (Lambert Wilson). Veteran actor Andre Dussollier, who usually gets the girl, plays the older friend who pines for her.
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