No te mueras sin decirme adónde vas (1995)

This movie is a declaration of love to cinema that is used as a metaphor for the universe itself. We are the films and God is projecting them, including this one with Rachel and Leopoldo, who in a former life literally co-invented cinema as an assistant of

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Pequeños milagros (1997)
драма
Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on...
Despabílate amor (1996)
комедија, љубовен, романса
Ernesto is a journalist in his 40’s who comes from a generation which encountered much political persecution and exile; between the memories and unhealed wounds of his past, stands Ernesto. When his...
El nido vacío (2008)
драма, комедија
A chronicle of the emptiness felt when ones children have left home and there are no longer any barriers to exposing martial difficulties.
El lado oscuro del corazón 2 (2001)
драма, љубовен, романса
In Buenos Aires, a poet thinks about time and death while continuing his search for the perfect woman.

Филм

драма, љубовен, романса, фантазија (1995)

No te mueras sin decirme adónde vas

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Pequeños milagros (1997)

драма

Rosalía is a cashier at a supermarket. She lives alone, loves reading fairy tales and hides in a magic fantasy world in order to survive living in the real one. She thinks she is a fairy who came on...

Despabílate amor (1996)

комедија, љубовен, романса

Ernesto is a journalist in his 40’s who comes from a generation which encountered much political persecution and exile; between the memories and unhealed wounds of his past, stands Ernesto. When his...

El nido vacío (2008)

драма, комедија

A chronicle of the emptiness felt when ones children have left home and there are no longer any barriers to exposing martial difficulties.

El lado oscuro del corazón 2 (2001)

драма, љубовен, романса

In Buenos Aires, a poet thinks about time and death while continuing his search for the perfect woman.

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