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документарен (2003)

De fem benspænd

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De fem benspænd

Наслов:

De fem benspænd

Година:

2003

Жанр:

документарен

Траење:

90 мин

Режија:

Lars von Trier
, Jørgen Leth

Сценарио:

Lars von Trier
, Jørgen Leth
, Asger Leth
, Sophie Destin


Главни улоги:


Patrick Bauchau
  >  Speaker (segment "Obstruction #4 - The Perfect Human: Cartoon")
Patrick Bauchau
  >  The Perfect Man
Patrick Bauchau
  >  Voice-over (segment "The Perfect Human: Brunelles Brussels")
Jacqueline Arenal
  >  The Perfect Woman (segment "Obstruction #1 - The Perfect Human: Cuba")
Bent Christensen
  >  Gangster (from "Det gode og det onde" 1975) (segment "The Perfect Human: Cartoon" (archive footage)
Anders Hove
  >  Naked Man (from "Notater om kærligheden" 1989) ( fsegment "The Perfect Human: Cartoon" (archive footage)
Jørgen Leth
  >  Himself - Director (segments "The Conversations")
Jørgen Leth
  >  Himself -The Perfect Man - Voice-over (segment "The Perfect Human: Avedøre, Denmark")
Jørgen Leth
  >  Voice-over (from "Det perfekte menneske" 1967)
Jørgen Leth
  >  Voice-over (segment "The Perfect Human: Cuba," segment "The Perfect Human: Bombay," segment "The Perfect Human: Cartoon")
Majken Algren Nielsen
  >  The Perfect Woman, from 'Det perfekte menneske' 1967) (archive footage) (as Maiken Algren)
Claus Nissen
  >  The Perfect Man - from 'Det perfekte menneske' 1967 (archive footage)
Jan Nowicki
  >  Man with Jacket (from "Notater om kærligheden" 1989) ( segment "Obstruction #4 - The Perfect Human (archive footage)
Charlotte Sieling
  >  Naked Woman (from "Notater om kærligheden" 1989) ( segment "The Perfect Human: Cartoon" (archive footage)
Alexandra Vandernoot
  >  The Perfect Woman (segment "The Perfect Human: Brunelles Brussels")
Daniel Hernandez Rodriguez
  >  The Perfect Man (segment "Obstruction #1 - The Perfect Human: Cuba")
Meschell Perez
  >  Couple (Woman) (segment "The Perfect Human: BrunellesBrussels")
Pascal Perez
  >  Couple (Man) (segment "The Perfect Human: Brunelles Brussels")
Marie Dejaer
  >  Maid (segment "The Perfect Human: Brunelles Brussels")

Опис:


"The Five Obstructions", a 100 min. theatre documentary directed by Lars von Trier and Jorgen Leth. An investigative journey into the phenomenon of "documentary", based on manifestos written by each director. About a filmmaker not only revisiting, but also recreating (not in a conventional sense) one of his first films, The Perfect Human / Det perfekte menneske (1967), a document on life in Denmark, containing the familiar Leth idiosyncrasies
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  • Kneginja
    The Legend Of
    28.07.2013. 15:26


    Jagger hvala za prevod ruza


    Titl mozete preuzeti OVDJE




  • Kneginja
    The Legend Of
    27.07.2013. 16:07





                         De fem benspaend (2003)



                                                * The Five Obstructions *

                      

                                                                 IMDb













    Režija: Lars von Trier, Jørgen Leth
    Scenarij: Lars von Trier, Jørgen Leth, Sophie Destin   
    Žanr: Dokumentarni
    Jezik: Danski, Engleski, Francuski, Španski
    Država: Danska, Švicarska, Belgija, Francuska
    Trajanje: 90 min







    Claus Nissen  ...  The Perfect Man - from 'Det perfekte menneske' 1967 (archive footage) 
    Majken Algren Nielsen  ...  The Perfect Woman, from 'Det perfekte menneske' 1967) (archive footage) (as Maiken Algren) 
    Daniel Hernandez Rodriguez  ...  The Perfect Man (segment "Obstruction #1 - The Perfect Human: Cuba") 
    Jacqueline Arenal  ...  The Perfect Woman (segment "Obstruction #1 - The Perfect Human: Cuba")   
    Jørgen Leth  ...  Voice-over (from "Det perfekte menneske" 1967) / Himself - Director (segments "The Conversations")
                     / Voice-over (segment "The Perfect Human: Cuba," segment "The Perfect Human: Bombay," segment
                     "The Perfect Human: Cartoon") / Himself -The Perfect Man - Voice-over (segment "The Perfect Human: Avedøre, Denmark") 

    Patrick Bauchau  ...  The Perfect Man / Voice-over (segment "The Perfect Human: Brunelles Brussels")
                        / Speaker (segment "Obstruction #4 - The Perfect Human: Cartoon") 

    Alexandra Vandernoot  ...  The Perfect Woman (segment "The Perfect Human: Brunelles Brussels") 
    Marie Dejaer  ...  Maid (segment "The Perfect Human: Brunelles Brussels") 
    Pascal Perez  ...  Couple (Man) (segment "The Perfect Human: Brunelles Brussels") 
    Meschell Perez  ...  Couple (Woman) (segment "The Perfect Human: BrunellesBrussels") 
    Bent Christensen  ...  Gangster (from "Det gode og det onde" 1975) (segment "The Perfect Human: Cartoon" (archive footage) 
    Anders Hove  ...  Naked Man (from "Notater om kærligheden" 1989) ( segment "The Perfect Human: Cartoon" (archive footage) 











                     [TUBE]0YPmRMipnSM[/TUBE]








    U zaigranom dokumentarcu "Pet zapreka", koji su zajednički potpisali Lars von Trier i Jorgen Leth,
    jedna od zapreka koju kultni danski filmaš postavlja svom starijem kolegi je snimiti film u
    najsiromašnijem mjestu na svijetu, ali da to siromaštvo samo po sebi ne bude tema.
    U jednoj verziji filma Leth je morao snimati u getu u Bombaju, jedna verzija filma morala je biti
    rađena kao anime, a bilo je i ograničenja vezanih uz montažu.
    Nakon svakog snimanja, Leth i Von Trier su se sastajali i pred kamerama raspravljali o rezultatima
    svog eksperimenta, a zatim bi Von Trier dao sljedeći zadatak Lethu.
    Žrtva von Trierovih tortura njegov je bivši suradnik i mentor Jorgen Leth, danski režiser, pjesnik,
    producent i sportski komentator, čovjek kojega njegovi bivši studenti Thomas Vinterberg i Susanne Bier
    od milja zovu Papa. Leth pamti Von Triera kao momka kojega je filmska tehnologija fetišistički privlačila.
    Zato se Pet zapreka više može promatrati kao sadistička osveta voljenom tatici, nego klasična posveta.
    Von Trier nagovara Letha da snimi pet različitih remakea kratkometražne antropološke skice The Perfect Human
    i u svakom dijelu postavlja mu određenu zapreku (tehničku, egzistencijalnu, psihološku), suočava ga s
    brojnim sadržajnim ograničenjima i naglim dramaturškim zaokretima, ali i tjera da prekroji izvornu priču.
    Riječ je, dakle, o nekoj vrsti dijaboličnog eseja o teoriji mizanscene.








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