À nos amours (1983)

Suzanne je maloljetnica u obitelji koja se raspada. Otac ima ljubavnicu, majka nema nikakvu kontrolu, a brat odlučuje na agresivan način preuzeti ulogu oca. Suzanne uskače i iskače iz raznih seksualnih veza, ne odgovarajući jedino mladiću koji je voli.

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Nous ne vieillirons pas ensemble (1972)
драма
Francusko-italijanski igrani film snimljen 1972. godine u režiji Mauricea Pialata. Po žanru je drama, a protagonist, čiji lik tumači Jean Yanne je sredovječni sineast koji, iako, oženjen, već duže...
La eterna noche de las doce lunas (2013)
документарен
12-year-old Pili is entering womanhood, and as tradition dictates, after her first menstruation, she must be isolated from all men for 12 moon cycles. During this time, she learns to weave.
L'amour existe (1961)
кратки, документарен
A social commentary on post-war France's urban developments.
Tous les garçons et les filles de leur âge... (1993)
драма
French filmmakers were given the opportunity in this Tv series to portray an episode about the coming of age of young people during one of the past few decades, accompanied by music of that period.

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драма, љубовен, романса (1983)

À nos amours

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Oбработил/ла:

Nous ne vieillirons pas ensemble (1972)

драма

Francusko-italijanski igrani film snimljen 1972. godine u režiji Mauricea Pialata. Po žanru je drama, a protagonist, čiji lik tumači Jean Yanne je sredovječni sineast koji, iako, oženjen, već duže...

La eterna noche de las doce lunas (2013)

документарен

12-year-old Pili is entering womanhood, and as tradition dictates, after her first menstruation, she must be isolated from all men for 12 moon cycles. During this time, she learns to weave.

L'amour existe (1961)

кратки, документарен

A social commentary on post-war France's urban developments.

Tous les garçons et les filles de leur âge... (1993)

драма

French filmmakers were given the opportunity in this Tv series to portray an episode about the coming of age of young people during one of the past few decades, accompanied by music of that period.

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